at one"s mercy - traducción al Inglés
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at one"s mercy - traducción al Inglés

LIVE ALBUM BY CANNONBALL ADDERLEY
Mercy, Mercy, Mercy - Live at "The Club"; Mercy, Mercy, Mercy! Live at 'The Club'

at one's mercy      
overgeleverd aan iemand´s goedheid
one step at a time         
WIKIMEDIA DISAMBIGUATION PAGE
One Step At A Time; One step at a time; One Step At a Time; One Step at a Time (disambiguation); One Step at a Time (song)
langzaam aan, stapje voor stapje
one and only         
  • Norihiro Yokoyama, who rode One And Only in 2014
WIKIMEDIA DISAMBIGUATION PAGE
One & Only; The One & Only; One and Only; One and only; The one and only; One and Only (disambiguation); The One and Only (album); The One and Only (disambiguation); The One and Only (film); The One and Only (TV series)
de enige (er is geen andere, de elite)

Definición

one-to-one
(also chiefly N. Amer. one-on-one)
¦ adjective & adverb denoting or referring to a situation in which two parties come into direct contact or opposition.
?Mathematics in which each member of one set is associated with one member of another.
¦ noun informal a face-to-face encounter.

Wikipedia

Mercy, Mercy, Mercy! Live at "The Club"

Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, and was added to the Grammy Hall of Fame in 2021.

Though the original liner notes state that it was recorded at the Club DeLisa in Chicago, it was actually recorded at Capitol's Hollywood studio with an invited audience and an open bar. The reason for this discrepancy, according to the liner notes in the CD reissue, is that Adderley and the new manager of Club DeLisa (which had been renamed "The Club", after operating for years in Chicago under its old name) were friends, and Adderley offered to give the club a bit of free publicity.

The title track became a surprise hit, reaching #11 on the Billboard Hot 100. The album reached #13 on the Top LPs chart. On this album, Joe Zawinul played a Wurlitzer electric piano; however, subsequent live performances saw him taking up the new and mellower-sounding Fender Rhodes instrument.

The track "Hippodelphia" is sometimes mis-spelt "Hipadelphia" on other recordings. The track listing for the album uses "Hippodelphia", while the liner notes, written by E. Rodney Jones, for the same album refer to "Hipadelphia".